Friends

The Moat by Bill Frakes

The best part of the Olympics for me, selfishly, is being around my friends. It's a joy and an education.

My main gig at the Games is the head on the moat at Track and Field. There's a core group of folks in the pit with me, all of whom I have know and worked alongside for years, coming from around the world.

Finish line photographers (L-R): Michael Steele/Getty Images, Lucy Nicholson/Reuters, John Mabanglo/EPA, Pascal Rondeau/L'Equipe, Anja Niedringhaus/Associated Press, Bill Frakes/Sports Illustrated, and Olivier Morin/AFP, Robert Deutsch/USA Today

Anja Neidringhaus, AP based in Geneva, is a Pulitzer Prize winning, Harvard educated laugh machine. Her new book WAR is brilliant -- and yes, I bought four copies of it on a recent trip to Dussledorf. If you love photojournalism, as I do, I suggest you get a copy. Sports and war. Interesting way to make a living.

Pascal Rondou, LeEquippe, requires I mention that he is very good looking every time I write about him. Another very funny, good humored person. And of course, since he is French, often the target of our barbs. We have worked together many times through the years, and it has always been a pleasure. The last night in the moat, he looked at me with a sad smile, extended his hand and said, you know "Bill this is the last finish line we will do together." Bittersweet.

Olivier Marin, AFP, is now based in Milan -- which is clear from the fashionable way he comports himself, always with the three day stubble on his face, with a cleanly shaven head -- has a home on a Finnish Island. I adore him, I wish he was my next door neighbor.

The Getty guys move in and out. They take turns doing the head on. The Brits, Michael Steele and Stu -- I don't get to see them often, once a year, but it always feels like it was just last week and the conversations pickup right where they left. We share dozens of friends around the world, and it's always great to catch up. Streeter comes straight from the American South. His calm drawl and healthy laugh took me home when I needed it. Alexander Hassenstein -- German who I have known since his first Olympics at 21 year in Barcelona. He named his daughter after mine -- Havana.

The newcomer in the pit is British, Lucy Nicholson from Reuter. Based in California, she is a bundle of energy, always with a smile, always in motion. We had fun.

EPA's John M is an American which is of course confusing because he works for the European Press Agency. He's based in LA, and we don't see him nearly enough. The US is big country and with so many talented SI photographers based in Southern California, so I don't get there much.

Bob Deutsch from USA Today is always quick to help everyone, and  he is even older than me. His sarcastic wit and generosity keep me smiling. When of course, I am not laughing at Anja and Oliver.

A typical exchange from right before the men's 100 meter final.

As you read this remember these are career defining moments for all of us. To complicate things, we are all shooting tethered -- which means your images flow straight into a computer and to the world. Plus, we are all running multiple remote cameras which are placed in tight confines to increase the angles and images we can each produce. Many things are going on, lots to concentrate on, and not much time to do it.

Anja: "Who do you think will win this race? Bolt?" Me: "Gatlin or Blake." Anja: "Why?" Me: "Because they are faster." Anja: "Okay. Makes sense."

Ten seconds later.

Anja: "You were wrong, and I really don't like Blake's hairstyle."

Big laughter. Quick glances. Great feeling of comraderie.

Meanwhile, the images are streaming to screens around the world.

During the Games, Laura and I put together a short piece on the working atmosphere from the moat. It is on SI.com now.

Days Before the Derby by Bill Frakes

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Tomorrow is the big day.  The 138th running of the Kentucky Derby. Laura and I arrived in Kentucky on Tuesday to get settled in, and to start work on several multimedia pieces.

We’ve been at the track every morning by 5 a.m.  It’s my favorite part of this event.

Dawn on the backside of Churchill Downs allows me to make beautiful pictures at a slower pace.  It’s peaceful and beautiful.  Tranquil, but exciting.

But I don’t come to the Derby just for the horses.  I come for the people.

I’ve been covering this event for more than two decades, and through the years I have made some of my closest friends here.  People like Bill Luster, Dan Dry, Matt Goins and Skip Dickstein, just to name a few, are the main reason I wouldn’t miss the Kentucky Derby.

The Run for the Roses also gives a chance to catch up with colleagues, like SI senior staff writer Tim Layden.  He is a wonderful writer and great friend.  Working with him is always a pleasure.

He was the subject of our first multimedia piece, a multi-camera stand-up where he gives viewers his picks for this year’s race.

Our second multimedia is a backstage look into the making of champion race horses and the beauty of the Derby.

Stay tuned for more....

Backstage at Nikon Solutions in Germany by Bill Frakes

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What a wonderful weekend in Germany. Old friends, new friends, lots of toys, terrific food and chance to learn from some impressive teachers.

Yasuo Baba from Nikon Professional Services Germany invited Laura and I to come to Dusseldorf to spend five days doing workshops and giving talks at Nikon Solutions in Essen.

I was excited about having a chance to work with some great folks, and spend time interacting with the 11,000 photographers who would be attending the expo.  Plus with plenty of fine German beer for Laura, I knew it could only be a happy environment.

Before anything else I need to talk about Yasuo for a moment.  This was a mammoth undertaking. I think it has to be the largest event of it's kind in the world.  With his team at Nikon Germany, he put together not only an impressive group of speakers, but also filled a giant hall with a wide range of corporate friends and provided a brilliant environment for everyone to learn and share.     He had time and kind words for everyone.  Gracious and generous while under so much pressure and stress is a lesson we can all learn from.

The last month I've had a chance to work often with my long time friend Joe McNally.  Every time I hear him present it's an education.  He is not only incredibly knowledgeable about photography, he is just flat out fun to listen to.

Laura and I were backstage with Anne Cahill right before Joe's first presentation on Saturday -- he was lighting an elephant and a lingerie model with small flash -- and there was a lighting diagram/sketch Joe had drawn on a piece of cardboard lying on one of the shipping cases.   Some of the group--and I am not naming names here,  but it wasn't me, were discussing selling it on Ebay.

I got the chance to make a new friend this weekend who spends significant time with some of my old friends.  Florian Schulz is a contributor to  National Geographic with a world of talent.  Seeing his work on display and meeting his young family was a joy.   I hope to see more of him down the road soon.

The guys from Profoto Germany knocked themselves out to help us with various lighting solutions.  They  introduced us to their ProDaylight system for our shoot with the body builder and gymnasts.  These are an extremely powerful continuous light source -- they will be very helpful particularly for video solutions.  These lights allowed us to show the audience exactly what the light would look like, why we placed the lights where we did and -- more important -- allowed the photographers in the audience to join and shoot with me.   At one point I was struggling to make a point so I invited some of the crowd to come and sit on the floor with me to see things from my, literal, point of view.  About 150 flooded out of the seats and surrounded me.  This was really fun for all of us.

Photo by Carsten Bockermann

Nikon Solutions was a 2 day festival.  Each of the days, we did three presentations: one on DSLR video, one on a Love of Photography and a live shooting demonstration with multi remote cameras.

I always learn more than I can teach at this type of conference.  I have shot about 150,000 frames now with the Nikon D4 but every day I get new information that helps me make the images I want to make.  Each of the other presenters opened my eyes to useful solutions.

It's time to take the inspiration and information and get back to work.

Tomorrow first thing, we are loading up 20 cases of gear and heading to see another group of old friends at my favorite yearly event, the Kentucky Derby.  The only place to be the first weekend of May, every year.

Manfrotto's SYMPLA Announcement and More from NAB by Bill Frakes

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NAB is great fun. For gear heads, it just doesn't get any better than this. Every corner you turn there is something exciting and intriguing to play with. Over the past two years, I’ve had the opportunity to help design and test Manfrotto’s new supports range, the SYMPLA.

The SYMPLA is the perfect match for the flexibility provided by HDSLR filmmaking. It provides multiple supports for your camera and lens, making it well-balanced and stable. It is easy to adjust, easy to pack, and easy to customize.

Comfortable and convertible, the SYMPLA expands creative potential by allowing you to shoot where you want.

In our exclusive behind the scenes video, you can watch many of the different ways we utilized the SYMPLA.

I’m honored to get to introduce the SYMPLA at NAB today, April 17 at 11:30. I’ll be discussing the design and the SYMPLA’s special features.

Yesterday was even better. I got to just roam the floor and visit my friends.

Before I entered the hall, I bumped into Tim David from Apple, who really need to watch where he is going, but that turned into the best surprise of the day. While I was talking to Tim, Garrett Rice - also from Apple came by and made me laugh for 30 minutes. A very nice way to start the day.

Inside, my first stop was Eileen Healey at Chimera -- if there is a nicer person alive I don't know who it is.

Next Dennis Wood at Cinevate. Their new jib is really cool, and I haven't told Laura yet, but we will have one soon. If Dennis only had a little more energy...

Then to Chris Kearns from Small HD Monitors. I love their products. The new D7 monitor is sweet. Incredibly lightweight. It's going to be a huge help with handheld cameras.

I went by Nikon's booth, but the crowd was too big, and so I'll head back today and visit with all of them. There is never enough time with those guys. Kris Bosworth, Scott Diussa, Mark Kettenhoffen, Sara Moosbrugger, Mark Suban, and if I have enough time I'll talk to Mr. Silverman, but that usually requires a few hours and an instruction manual.

A huge bonus for me is the Manfrotto booth where Stacy Pearsall -- check out her new book -- and Andy Dunaway are doing demos and helping explain things. Really fine folks that I am lucky to have as close friends.

What's Your Story? - Nikon Nordic Tour by SARA TANNER

We are so excited to announce that together with Joe McNally, Bill will be headlining Nikon Nordic's What's Your Story? Workshop.  Joe and Bill will be telling stories, showing images, and pretty much just having a great time with Peter Brodin and Lasse Pettersson from Nikon. The group will be showcasing Nikon's new professional DSLR cameras, the D4, D800 and D800E. The tour kicks off in Tallinn on March 26 and will stop in Helsinki, Oslo, Copenhagen, and Stockholm. Register now to reserve your seat.

Learn more at http://nordic.nikon.se/whatsyourstory/pages/index.asp?Home,en_GB

Imagery Using the D4 by SARA TANNER

The D4 is here. You can see it on the Nikon Web site. The photographers who worked on the launch are posting their imagery.

Corey Rich used the D4 for his film "Why".

Joe McNally has some of his photographs with his always fun commentary on his blog.

Our short documentary, Istanbul and Its Many Faces, shot exclusively with the D4 will available soon. The trailer for the film is available online now.

Nikon will be exhibiting the D4 at the 2012 International CES, Tuesday, January 10 through Friday, January 13 in Las Vegas, Nevada.

The First Saturday in May by Bill Frakes

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The first Saturday in May always means the same thing. Louisville and the Kentucky Derby. There is no place on earth I would rather be than at Churchill Downs when they play My Old Kentucky Home. Because it is one of my favorite homes.

It’s weeks like this that make, especially make, mine one of the greatest jobs on earth.

Early mornings on the backside means seeing friends new and old.

For 30 years Dan Dry and Bill Luster have greeted me with smiles and kindness. They’re classy guys and great photographers.

Even though I didn’t work for him, C Thomas Hardin, legendary director of photography at the Courier Journal, had a huge impact on my career because of all of my buddies who did have the good fortune to be influenced daily by him. I treasure those conversations.

This was Laura’s fourth derby, and for me... well, I’ve done a few more. And by that I mean about 30 of them.

Curt Bianchi, who is one of the software geniuses who build Apple’s Aperture was helping us again along with his wife, Sue, and a really good group of younger photographers — Andy Hancock, Sara Tanner, Zach Brake, Mike Weaver, Jeff Lautenberger, Patrick Fallon, Britney McIntosh and Joel Kowsky.

The folks at Churchill are as good as it gets in this business. Darren Rogers has more stuff going on than you can possibly imagine, but he always has time to laugh and help. 



Keith Klein and the Dumsdorf family make things go so smoothly the event that could be utter chaos without them.

When Animal Kingdom surged across the finish line a familiar question rippled through the crowd -- is he the one? Are we looking at the next winner of the Triple Crown?

In 2001, I went to Triple Chimneys to photograph the only horse living in this century to have won the three championships, and the only undefeated Triple Crown winner in 1977 - Seattle Slew.

Every Derby has a distinct flavor. Last year's Derby has a different feeling from the year before it.

The Derby always marks the beginning of a busy summer, but spring isn’t ever slow. This year assignments have taken us around the globe, working on projects ranging from music videos to documentaries to commercial assignments.

2011 started the way 2010 ended, on the road for Sports Illustrated. Lots of football and portraits, including a cover of the University of Connecticut’s Women Basketball team.

In between NFL playoffs and the Superbowl, I took two trips to Sweden working with Nikon and Sony Music on a music video for up and coming Swedish musical artist Lisa Miskovsky.

Everyone had a tremendous time in the snow making great use of our Nikon cameras and Manfrotto supports. Laura edited the music video, "Got a Friend." We also built a behind the scenes video.

February found us back in the States for the Superbowl. Laura and I always have fun in Texas and with a huge group of the SI team there it was great time.

In preparation for March Madness, we started shooting a lot of basketball, NBA and NCAA. SI launched apps SI Snapshot and SI Big Ticket, giving us the opportunity to have more images seen.

Febuary and March were basketball heavy, capped by the Women’s Final Four in Indianapolis.

In Nebraska, we taught back to back seminars for the students at University of Nebraska - Lincoln with Apple and for the Nebraska Nature Photographers.

While in Nebraska, we were honored to do a interview with the 13th Poet Laureate of the United States Ted Kooser.

In March, we shot two additional music videos: one of pianist Anya Marina with Cinevate, and one for our friend, master guitarist Neil Zaza with Nikon at South by Southwest.

This is a look at the Behind the Scenes video of the making of “Felony Flats.”

We’re headed off to Nashville to work with Ricky Skaggs, shooting a music video of his song “Mosaic.”

More soon.